I could also recognize the sounds used in a few cinema productions and video games as coming from this library. Heavyocity makes it so easy to tweak the sounds and make them your own. Interface So lets get stuck in! You can easily tweak the sounds and mold them into what you need, without getting lost in a sea of pages and menus. Tweaking sounds within the elegantly designed Kontakt interface is fast and pushes the envelope in creative, musical ways. Over 700 beat-sliced loops come as menu-style loop suites or as single loops for detailed tweaking. The sounds on offer range from live percussion to analog drums and modular synth drums allowing you to write electronic, hip hop, industrial, ethnic and cinematic music.
The snapshots are plentiful, and really give you a good introduction to the possibilities that await you once you dive into your own sonic experimentation. It brings such instant satisfaction, but with extensive tweak ability as well. . Interface So lets get stuck in! It might be the fact that I am more hands on when programming my midi and use loops which then are edited somewhat to fit the performance better. These are definitely the star of the Traditional Textures.
The basic bones of it, the actual samples recorded, are ripe with compelling motion, but then the ability to utterly mangle them from there forward is truly powerful. In a market flooded with anaemic sample libraries, Evolve steps up to the plate with killer content and a sonic aesthetic that is simply inspired. This results in the featured effect cascading back and forth throughout the section. It does not just sound amazing, is incredibly deep, provides a wonderful depth and possibility for sound design. Create dramatic, wide-screen tension with the devastating impact of Damage. The sounds are so relevant and useable right out of the box for many types of scoring projects that I work on. If you would like to write for us, please contact us.
The spectacular user interface was specifically designed with the composer and sound designer in mind. This is a perfect compliment to the already diverse Evolve. The sounds blend perfectly with the rest of my libraries and provide more of the same edgy kind of material I love using to spice up my tracks. The midi loops could also be found by browsing the installation folder but are not properly named and finding the one that corresponds to the one currently playing is next to impossible. The grid is awesome, so fun to use and it just works with my writing. Those sounds can be heavily manipulated or changed entirely, resulting in countless potential combinations. Please understand that Sample Library Review recommends products because they are helpful and useful, not because of the small commissions made if you decide to buy something.
What really impresses me every time I open it is the meticulously designed interface. I would rather recommend having both, assuming their character fits your productions. Heavyocity is strongly recommended for those producers looking to add something unusual, different and interesting to their production. Come on man…do I really need to keep talking about this? Read the for more information on how you can use the loops. With the Motion tool you are able to add step manipulation to Volume, Pan and Pitch.
This income helps us to keep the site going and compensate our contributors for their hard work. Use the search box to find more free heavyocity damage loops and samples. Over 700 beat-sliced loops come as menu-style loop suites or as single loops for detailed tweaking. I look forward to digging in to yet another sonic feat from Heavyocity. At its core, Gravity is very much about granularity, allowing composers to dig deep into sounds, then meld and mangle them in creative and inspiring ways. This is especially true with the Pads.
Each set of sounds within the instrument, categorised as Pads, Hits, Risers and Stings, is actually the fusion of multiple sounds. There are many libraries out there striving for orchestral realism, but Heavyocity has gone above and beyond and delivered much more than that. Designed to inspire, Damage delivers jaw-dropping quality in an intuitive and easy-to-use interface. The Single Loops page presents loop slices, with parameters and real-time modifier controls for each. This gives you the ability to create pulsing rhythmic cellos, dancing arpeggiated violas, and shimmering violins all within the same patch. This is especially true with the Pads. In both cases, patches arelabelled by genre Epic Organic, Epic Tech, Industrial and Mangled Pop , and both Full andElements patches are included, the latter comprising the layers that make up the former.
This may be the beginning of a new concept of great virtual instruments! The first preset features traditional articulations ie. The dynamic range across all 6 gigs of content is astounding, from the heaviest of hits and beats, to the lightest quirkiness of a mouth pop. The sounds on this library are huge, and as far as I know this is probably the most ambient and cinematic industrial library that I've listened to. I have to learn everything from very beginning, how to do things,what individual names for functions means and so on. Sonically, Damage spans the range from tight, blockbuster-style impact sounds to earthy, organic drums and metals.
The spectacular user interface was specifically designed with the composer and sound designer in mind. Heavyocity continues to blow me away with their amazing and infinitely adaptable sounds. The Loop Menu patches also get a 16-step amplitude sequencer. And I can already not imagine anymore not to work with this Kontakt library since it has another great selling point. I had to complete the download over at work at faster data speeds. Over 700 beat-sliced loops come as menu-style loop suites or as single loops for detailed tweaking. Where did you guys come from? Broken beats Damage's loop patches incorporate extensive key control with useful colour-coding.
It makes everything quick and easy, but the power and control you have over the sounds is truly amazing. Dark, aggressive, thrilling and threatening — Damage is breathtaking cinematic percussion with a tense, epic edge. So its no surprise that it has now released Gravity, which it is calling the most dynamic collection of Modern Scoring Tools ever assembled. Heavyocity has garnered a distinguished reputation as an industry leader in hybrid scoring tools. Quickly edit the groove by clicking on the Grid to change the sounds, velocities, pattern, and feel.